Artwork description: Presenting stories written and told by your grandfather as a child in glass, fix them for a period of time. Using paper-cut elements, the emphasis on declination and the focus on collage between glass mosaic surfaces collide, with the intention of retrieving elements from different time and space that already exist to piece together the subjective and objective story. The glass block gives new life to the cut-out space. The idea is to recreate the story and extend the association. The original story is lost to memory, and the storyteller is gone. There is only a vague idea of the story, but how the story develops depends on the association of the current creator. Any angle can continue. The story is both a random composition in a retelling and a subjective addition in word of mouth. Changes in the opening and closing angle of glass windows can express the narrative, and with the help of this subjective and objective legacy carrier, changes in projection under different lights, different combinations of overlapping forms or individual plates show the process changes from objective to subjective to objective. The powder-burning process involves melting and then solidifying the scattered fragments into new representations, with the characters of the glass telling the stories of the dead and the lost forever fixed in the moment of solidification. To the dead and the story, look back, people in the story.